(The glass objects) thus produce a dematerialised reality the
effect of which is even further enhanced by the colouring of
the glass: multiplied reflexes and colour reflections, nuances
in se obviously becoming a thematic end in itself, a view and
an understanding of the very object.
Josef Unterer (†), painter and art historian
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Oval Glass Plate with Mussels, 2003, oil
on canvas, 35x35 cm
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